Showing posts with label Burns. Show all posts
Showing posts with label Burns. Show all posts

Thursday, August 5, 2010

Poet-Songwriter


Recently an acquaintance of mine published a collection of poetry. Now that’s not noteworthy; I know many writers, and usually somebody is bringing out a book. This person I know mainly as a musician who plays several instruments. I also understand that he was the main songwriter for a folk group some years ago. So we have a reputable musician and songwriter turning his talents to poetry.

Although there are great differences between writing songs and writing a poem, (I know, I’ve tried writing songs. I’ve even attended several workshops by excellent singer/songwriters) it’s not a great leap. Scotland’s Robbie Burns wrote lyric/poems. Some of the old folk ballads are wonderful poems apart from the tunes. So I had some expectations.

Granted, I did not expect a modern Burns. I did not look for comparisons to Leonard Cohen, Bob Dylan, or so many others. But I was certainly looking forward to see what this musician could do with words. And I’m sorry to say all my expectations went for naught. The “poems” in his book were … well I can’t really sum them up in a word or two although “drivel” comes close.

From a musician, I expect music. Since as a songwriter he must be aware of fitting words to rhythms, I looked for sustained rhythms and the use of sound because these are also basic components of poetry. Even the ancient Greeks saw music and poetry as a complimentary pair, as sister Muses.

I was sad to discover his poems do not sing. There is no hint of music, either obvious or latent. When I heard him read some to an audience it sounded like prose, and I thought I was missing something, something obscured by his delivery perhaps. When I examined his book in private, I found that was all there was: prosodic language masquerading (and not very well) as poetry. No marvelous use of language; none of the devices that make a poem the special thing it is. Lacking in imagery, lacking in descriptive phrasing, lacking the rhyme and assonance that connect poetry to music.

The poems about places read even less exciting than a travelogue. The poems about emotions read like a teenager’s diary. Most of the language didn’t rise above a hastily scribbled letter home.

And this is a singer, a songwriter, a musician. And now an artless arranger of meaningless prose. Words without music.

Who dare call it poetry?



Sunday, January 25, 2009

Robert Burns, poetry, and nationalism

Today is Robert Burns' birthday. Scots in Scotland and all over the Americas, Scots in Australia and a dim corner of Uzbekistan; wherever they may be they celebrate. They celebrate with dinners and speeches. They celebrate with haggis and pipers. They celebrate with Scotch whiskey. But most of all, they celebrate poetry with poetry.


What makes Burns so important? Even a Scot can't articulate precisely the what and how and why. What happened, and what many Scots began to realize when he died, is that this man captured the soul of his people and laid it out before them in all its natural wonder. He did so in language that they not only understood but also used every day. He set it to the music that whispered through their bodies in a manner they couldn't forget. They made him their national poet, even when the people had no definitive nation as such.


Every nation, every people needs a poet who becomes their soul. And especially Canada needs a poet to express the heart and soul of the people. In this time of need, the call is being answered.


Since Al Purdy's death a focus has grown around the poet and what he means and expresses about the people of Canada. He has been acclaimed as the "Voice of the Land." A greater-than-life sized statue of him has been erected in a prominent public place. The home he built out of "second hand lumber and poetry" is the object of a movement to save it for those to come.


A better national poet we could not want, a Robert Burns for us and our times. This movement is rooted much deeper than any personality cult and can become a focus of Canadian culture. an expression of we, the people.


Burns and Purdy

The twenty-first day of April should be Al Purdy Day. Make it so.